You can bid on our internet site until 15:00 on Sunday, October 16, 2022, for our new auction titled "Euphemia ART: Tablo, Özgün Baskı, Heykel ve Fotoğraf Müzayedesi 3". As of 15:02, our live auction will start. Commission: %15 "THE DEADLINE OF PAYMENTS IS 7 BUSINESS DAYS AFTER THE AUCTION END".
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
BEHÇET GÜRCAN - 1948 "Figurative Composition"
27x19 cm, Charcoal on Paper.
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
N.S. - "Efe"
36x26 cm, Mixed technique (Watercolour and Ink) on Paper.
Share
Ask a question
Ask a question
REMZİ KÖKLÜ - 1993 "Nameless"
27x18 cm, Lithographed on Special Hand-Made Embossing Paper.
Share
Ask a question
Ask a question
HİKMET DURUER (1926-2004) - "The Cooking Woman"
32x25 cm, Indian Ink on Paper.
Share
Ask a question
Ask a question
SIGNATURE CANNOT BE RECOGNIZED (Armenian Painter) - 2011 "Landscape"
33x24 cm, Crayons on Paper.
Share
Ask a question
Ask a question
Signed by SEMA- 1992 "The Fairy Chimneys" (Ed. 16/50)
27x24 cm, Engraving on Fine Art Paper. Edition: 16/50.
Share
Ask a question
Ask a question
EKREM KAHRAMAN (1948-) - 1970 "Those Who Are Waiting"
36x33 cm / 26x11 cm, serigraph on paper and mounted on paper.
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
SIGNED (NOT RECOGNIZED) - "Peysage"
80x70 cm / 63x52 cm. Oil on Canvas.
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
M. TURGUT TAŞÖZ Signed - Scene
Frame size: 51x57 cm - Photographic area: 25x17 cm
Share
Ask a question
Ask a question
TUĞBA YÜKSEL (Sidartha) (1979-) - 2005 Untitled
95x95 cm, this painting is from the First National Painting Competition of the Inönü University. Slight tear on canvas, no restoration.
Share
Ask a question
Ask a question
UNSIGNED AND UNTITLED - Boats on Salacak (Scutari) in the Ottoman period
100x34 cm, unsigned.
Share
Ask a question
Ask a question
FEVZİ KARAKOÇ, (1947-) The Maiden Tower: 1988 Original print engraving. II. 18/50
Original print engraving, 18/50. Framed size: 28x24 cm, painting area: 12x7,5 cm.
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
SEVİL SÜMEN - 1969 Untitled
Frame size: 41x44 cm, painting area: 24,5x28 cm.
Share
Ask a question
Ask a question
K. ATALAY (ATALAY KÖSEOĞLU) (1968-) - Sailing boats on the shore
100x23 cm, signed, framed
Share
Ask a question
Ask a question
K. ATALAY (ATALAY KÖSEOĞLU) (1968-) - Sailing boats on the shore
86x26 cm, signed, framed
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
Share
Ask a question
Ask a question
ARA GÜLER (1928-2018) - 196/400
ARA GÜLER, (Armenian - Turkish photographer), (1928-2018)., Pamukbank, Istanbul, 1997.
Original color photograph on positive paper. In original cover with its cardboard. Size: (all 50x60 cm - photograph 30x20 cm). Positive paper is a light-sensitive paper on which the image taken on the negative film was created in accordance with the original image. A short biography on verso. Signed by the photographer. 400 copies were printed. All copies were numbered. This is no. 196.
Ara Güler was an Armenian-Turkish photojournalist, nicknamed "the Eye of Istanbul" or "the Photographer of Istanbul". He was "one of Turkey's few internationally known photographers". In 1958, the American magazine company Time-Life opened a branch in Turkey, and Güler became its first correspondent for the Near East. Soon he received commissions from Paris Match, Stern, and The Sunday Times in London. After completing his military service in 1961, Güler was employed by the Turkish magazine Hayat as head of its photographic department. About this time, he met Henri Cartier-Bresson and Marc Riboud, who recruited him for the Magnum Photos agency, which he joined (though later withdrew from). He was presented in the British 1961 Photography Yearbook. Also in that year, he was accepted as the only Turkish member of the American Society of Magazine Photographers (ASMP) (today called the American Society of Media Photographers). The Swiss magazine Camera honored him with a special issue. In the 1960s, Güler's photographs were used to illustrate books by notable authors and were displayed at various exhibitions throughout the world. His works were exhibited in 1968 in 10 Masters of Color Photography at the New York Museum of Modern Art and at Photokina Fair in Cologne, Germany. His book Türkei was published in Germany in 1970. His photos on art and art history were used in Time, Life, Horizon, and Newsweek and publications of Skira of Switzerland. Güler traveled on assignment to Iran, Kazakhstan, Afghanistan, Pakistan, India, Kenya, New Guinea, Borneo, as well as all parts of Turkey. In the 1970s he photographed politicians and artists such as Indira Gandhi, Maria Callas, John Berger, Bertrand Russell, Willy Brandt, Alfred Hitchcock, Ansel Adams, Imogen Cunningham, Marc Chagall, Salvador Dalí, and Pablo Picasso. Some critics consider his most renowned photographs to be his melancholic black and white pictures taken mostly with a Leica camera in Istanbul, mainly in the 1950s and 1960s. He has exhibited frequently since then, and also had his work published in special supplements. International publishers have featured his photographs.
Share
Ask a question
Ask a question