LiveEuphemia ART: Painting, Original Print and Sculpture Auction 2

Lot No: 1

Lot: 1

VEDAT ÖRS (1961-) 2021 Nameless-85x60 cm Acrylic on canvas Signed, dated 2021 Vedat Örs was born in Usak. In 1984 he graduated from Ankara University. Including New York Syracuse, Paris and Prague exhibitions, he has had almost thirty solo exhibitions so far. Between 2003-2006 he worked in his own studio in Paris. He participated in the international workshops organized by Summart in Moldova and Pennsylvania. He is currently the president of Artemis, International Culture and Art Association. Vedat Örs continues to produce artworks in Istanbul. Awards, 1998 Art Competition of Adana Cement, Mansion

Lot No: 3

Lot: 3

SÜLEYMAN SAİM TEKCAN (1940-) - 1989 From the book of horses - 32/50-76x55 cm.

Lot No: 4

Lot: 4

MUSTAFA DELİOĞLU (1946-) - 1984 Asik Veysel [i.e. Veysel the Minstrel]-47x38 cm: Size of cardboard on which is pasted; 34x24 cm: Painting area

Lot No: 5

Lot: 5

MEDİNE IRAK (1983-) - Nude-116x87 cm.

Lot No: 6

Lot: 6

CEMİL EREN (1927-2016) - 1989 "Untitled"-69x57 cm. Oil on canvas. Framed.

Lot No: 7

Lot: 7

EDA ÇIĞIRLI (1986-) - 2018 New World Series-120x80 cm.

Lot No: 8

Lot: 8

ŞADAN BEZEYİŞ (1926-2017) - 1976 Nameless-Framed size: 59x45 cm; painting area: 27x21 cm.

Lot No: 9

Lot: 9

ŞADAN BEZEYİŞ (1926-2017) - 1953 Nameless-Framed size: 37x31 cm; painting area: 11x12 cm.

Lot No: 10

Lot: 10

SIGNED BY "Ö. AŞIK", ADDITIONALLY SCRIPT IN OTTOMAN TURKISH - 1984 The Golden Horn, Istanbul-Framed size: 35x49 cm, painting area: 20x35 cm.

Lot No: 11

Lot: 11

SIGNED BY "MASSETTI" - 2011 Nameless-70x100 cm

Lot No: 12

Lot: 12

MEHMET GÜLERYÜZ (1938-) - "Untitled" 1992-Original print on fine art paper. In its black frame.120 x 80 cm.

Lot No: 13

Lot: 13

ÖZDEMİR ALTAN (1931-) - Original Print: 73/100-Original print on fine art paper. In its black frame.85x64 cm.

Lot No: 14

Lot: 14

FÜGEN BEYOĞLU - Untitled-Signed on verso, framed, 34x50 cm

Lot No: 15

Lot: 15

M. TURGUT TAŞÖZ Signed - Scene-Frame size: 51x57 cm - Photographic area: 25x17 cm

Lot No: 16

Lot: 16

FİKRET ÖZTÜRK (1961-) - 2022 Cat-From the Cat Series, Oil on Wooden, 40x30 cm, Signed

Lot No: 17

Lot: 17

FİKRET ÖZTÜRK (1961-) - 2022 Cat-From the Cat Series, Oil on Wooden, 40x30 cm, Signed

Lot No: 18

Lot: 18

HALUK EVİTAN (1952-) - Original Print / R4/100 - 2022-33x24 cm. Framed.

Lot No: 19

Lot: 19

HALUK EVİTAN (1952-) - Original Print / R5/100 - 2022-33x24 cm. Framed.

Lot No: 20

Lot: 20

HALUK EVİTAN (1952-) - Original Print / R2/100 - 2022-33x24 cm. Framed.

Lot No: 21

Lot: 21

HALUK EVİTAN (1952-) - Original Print / R3/100 - 2022-33x24 cm. Framed.

Lot No: 22

Lot: 22

HALUK EVİTAN (1952-) - Original Print / R1/100 - 2022-33x24 cm. Framed.

Lot No: 23

Lot: 23

JOSE MARTI - Cuba / Che Guevara-34x29 cm

Lot No: 24

Lot: 24

GÜNER DÖLAY (1935-) - 1985 Landscape-Framed size: 39x30 cm, paiting area: 27x18 cm. Signed

Lot No: 25

Lot: 25

UNSIGNED AND UNTITLED - Baby Jesus and Mary-100x100 cm.

Lot No: 26

Lot: 26

ANONYMOUS - "Matchless Squall"-100x100 cm.

Lot No: 27

Lot: 27

TUĞBA SÖNMEZ (1975-) - For the Girl with a Pearl Earring…-70x100 cm.

Lot No: 28

Lot: 28

GILBERT BROWNE (1954-) - 25/190 Ottoman Coppersmiths-Framed size: 42x32 cm, painting area: 30x21 cm. With a cardboard and framed.

Lot No: 29

Lot: 29

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995) - "Door decorations" [c. 1955]-YILDIZ MORAN, (The first female Turkish photographer), (1932-1995)., Yildiz Moran., [Istanbul], [ca. 1955]. Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Lot No: 30

Lot: 30

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995) - "Ceiling decorations" [c. 1955]-YILDIZ MORAN, (The first female Turkish photographer), (1932-1995)., Yildiz Moran., [Istanbul], [ca. 1955]. Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Unsigned. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Lot No: 31

Lot: 31

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995) - "Copper spoons" [c. 1955]-YILDIZ MORAN, (The first female Turkish photographer), (1932-1995)., Yildiz Moran., [Istanbul], [ca. 1955]. Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by photographer. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Lot No: 32

Lot: 32

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995) - "Window decorations" [c. 1955]-YILDIZ MORAN, (The first female Turkish photographer), (1932-1995)., Yildiz Moran., [Istanbul], [ca. 1955]. Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Unsigned. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Lot No: 33

Lot: 33

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995) - "Between Two Nights" [c. 1955]-YILDIZ MORAN, (The first female Turkish photographer), (1932-1995)., Yildiz Moran., [Istanbul], [ca. 1955]. Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by photographer. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Lot No: 34

Lot: 34

TUĞBA YÜKSEL (Sidartha) (1979-) - 2005 Untitled-95x95 cm, this painting is from the First National Painting Competition of the Inönü University. Slight tear on canvas, no restoration.

Lot No: 35

Lot: 35

UNSIGNED AND UNTITLED - Boats on Salacak (Scutari) in the Ottoman period-100x34 cm, unsigned.

Lot No: 36

Lot: 36

K. BEBEN Signed - Untitled-58x69 cm, in its white frame, slight tear on canvas, no restoration.

Lot No: 37

Lot: 37

DERMAN ÖVER "Courtyard" -Watercolor on Paper, 15,5x14 cm. Över was the father of famous Turkish poet "Küçük Iskender".

Lot No: 38

Lot: 38

FEVZİ KARAKOÇ, (1947-) The Maiden Tower: 1988 Original print engraving. II. 18/50-Original print engraving, 18/50. Framed size: 28x24 cm, painting area: 12x7,5 cm.

Lot No: 39

Lot: 39

HİKMET BARUTÇUGİL (1952-) - [Original marbling with flower]-48x34 cm, framed. Signed.

Lot No: 40

Lot: 40

FROM THE SCHOOL OF CEMAL TOLLU "Nude"-65x46 cm.

Lot No: 41

Lot: 41

VEDAT ÖRS (1961-) 2021 Nameless-Frame size: 55x44 cm, painting area: 39x30 cm Acrylic on paper Signed, dated 2016 Vedat Örs was born in Usak. In 1984 he graduated from Ankara University. Including New York Syracuse, Paris and Prague exhibitions, he has had almost thirty solo exhibitions so far. Between 2003-2006 he worked in his own studio in Paris. He participated in the international workshops organized by Summart in Moldova and Pennsylvania. He is currently the president of Artemis, International Culture and Art Association. Vedat Örs continues to produce artworks in Istanbul. Awards, 1998 Art Competition of Adana Cement, Mansion

Lot No: 42

Lot: 42

VEDAT ÖRS (1961-) 2021 Nameless-Frame size: 68x53 cm, painting area: 50x34 cm Acrylic on canvas Signed, dated 2016 Vedat Örs was born in Usak. In 1984 he graduated from Ankara University. Including New York Syracuse, Paris and Prague exhibitions, he has had almost thirty solo exhibitions so far. Between 2003-2006 he worked in his own studio in Paris. He participated in the international workshops organized by Summart in Moldova and Pennsylvania. He is currently the president of Artemis, International Culture and Art Association. Vedat Örs continues to produce artworks in Istanbul. Awards, 1998 Art Competition of Adana Cement, Mansion

Lot No: 43

Lot: 43

Boy with his dog-40x19x19 cm.

Lot No: 44

Lot: 44

Oriental trader, ca. 1930s-1950s - made in France-62x37x26 cm.

Lot No: 45

Lot: 45

İBRAHİM BALABAN (1921-2019) - 52/100 / 2018-50x72 cm

Lot No: 46

Lot: 46

İBRAHİM BALABAN (1921-2019) - 26/250 / 1993-50x72 cm

Lot No: 47

Lot: 47

İBRAHİM BALABAN (1921-2019) - 1993-50x72 cm

Lot No: 48

Lot: 48

İBRAHİM BALABAN (1921-2019) - 62/250 / 1993-50x72 cm

Lot No: 49

Lot: 49

İBRAHİM BALABAN (1921-2019) - 93/250 / 1993-50x72 cm

Lot No: 50

Lot: 50

İBRAHİM BALABAN (1921-2019) - 76/242 / 1993-50x72 cm

Lot No: 51

Lot: 51

FARUK CİMOK (1956-) - Taksim 2019 - 3/100-50x72 cm

Lot No: 52

Lot: 52

FARUK CİMOK (1956-) - Ortaköy - 44/100-50x72 cm

Lot No: 53

Lot: 53

FARUK CİMOK (1956-) - Ada 2019 - 5/100-50x72 cm

Lot No: 54

Lot: 54

İBRAHİM BALABAN (1921-2019) - EA 2018-50x72 cm

Lot No: 55

Lot: 55

ZİYA ERALP - 1985 Mushrooms-30x24 cm, mounted on cartoon

Lot No: 56

Lot: 56

ZİYA ERALP - 1990 "Head"-20x24 cm, mounted on cartoon, signed

Lot No: 57

Lot: 57

ZİYA ERALP - Traditional wooden houses-30x24 cm, signed

Lot No: 58

Lot: 58

ZİYA ERALP - 1987 Female villager and her animals-19x24 cm, mounted on cartoon, signed

Lot No: 59

Lot: 59

ZİYA ERALP - 1989 "Water and Light"-20x28 cm, mounted on cartoon, signed

Lot No: 60

Lot: 60

ZİYA ERALP - 1990 In the shadows-19x24 cm, mounted on cartoon, signed

Lot No: 61

Lot: 61

ZİYA ERALP - 1990 Skull-18x24 cm, mounted on cartoon, signed

Lot No: 62

Lot: 62

ZİYA ERALP - Anatolian village-30x24 cm, mounted on cartoon, signed

Lot No: 63

Lot: 63

ZİYA ERALP - 1989 Solitude-40x26 cm, mounted on a black cartoon, signed

Lot No: 64

Lot: 64

ZİYA ERALP - 1981 Untitled-20x24 cm, mounted on a black cartoon, signed

Lot No: 65

Lot: 65

ZİYA ERALP - Pateriça, Cunda Island scene-36x29 cm, unsigned

Lot No: 66

Lot: 66

ZİYA ERALP - Orta Direk-18x24 cm, unsigned

Lot No: 67

Lot: 67

ZİYA ERALP - Untitled-24x18 cm, unsigned, slight wear on lower right corner

Lot No: 68

Lot: 68

ZİYA ERALP - An Anatolian street-30x24 cm, unsigned

Lot No: 69

Lot: 69

ANONYMOUS - Halicarnassus-27x18 cm, a design of an original brochure on Bodrum (Halicarnassus)

Lot No: 70

Lot: 70

SEVİL SÜMEN - 1969 Untitled-Frame size: 41x44 cm, painting area: 24,5x28 cm.

Lot No: 71

Lot: 71

SIGNATURE IS NOT IDENTIFIED - Coppersmiths from Ottoman period-Frame size: 33x40 cm; painting area: 18x24 cm

Lot No: 72

Lot: 72

UNSIGNED - Apollon and the Dove-Frame size: 35x50 cm; photographic area: 25x38 cm

Lot No: 73

Lot: 73

K. ATALAY (ATALAY KÖSEOĞLU) (1968-) - Sailing boats on the shore-100x23 cm, signed, framed

Lot No: 74

Lot: 74

K. ATALAY (ATALAY KÖSEOĞLU) (1968-) - Sailing boats on the shore-86x26 cm, signed, framed

Lot No: 75

Lot: 75

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1969 Fishing Boat on the Shore-12x12 cm Dry and Watercolour on Cartoon Signed

Lot No: 76

Lot: 76

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - As the galleons descend to the Golden Horn-25x18 cm: Size of cardboard on which is pasted; 11,5x13 cm: Painting area Oil and water color on paper Signed

Lot No: 77

Lot: 77

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Abstract-25x18 cm: Size of cardboard on which is pasted; 13,5x10 cm: Painting area Mixed technique on paper Signed

Lot No: 78

Lot: 78

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Abstract-25x18 cm: Size of cardboard on which is pasted; 14x12 cm: Painting area Mixed technique on paper Signed

Lot No: 79

Lot: 79

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Coffeehouse-28x21 cm Crayons on paper Signed

Lot No: 80

Lot: 80

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Phoenix-21x17 cm Mixed on paper Unsigned

Lot No: 81

Lot: 81

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Landscape-12x20 cm Crayons on paper Unsigned

Lot No: 82

Lot: 82

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - City-6x10 cm Mixed on “Hürriyet” business card Unsigned

Lot No: 83

Lot: 83

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Landscape-12x17 cm Watercolor on Paper Unsigned

Lot No: 84

Lot: 84

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Istanbul Fortresses-12x17 cm Watercolor on Paper Unsigned

Lot No: 85

Lot: 85

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Abstract-25x18 cm Crayons on paper Unsigned

Lot No: 86

Lot: 86

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1969 Infinity-20x15,5 cm Watercolor on paper Signed

Lot No: 87

Lot: 87

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Abstract-18x12 cm: Size of cardboard on which is pasted; 10x8 cm: Painting area Mixed technique on paper Signed

Lot No: 88

Lot: 88

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Landscape-28x9 cm Crayons on Paper Signed

Lot No: 89

Lot: 89

FROM THE COLLECTION OF "IŞIK" - PAINTRESS FROM ACADEMY - Abstract-16x15,5 cm Oil on Paper Unsigned

Lot No: 90

Lot: 90

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Tower-22x16,5 cm Mixed on Paper, see the condition Signed

Lot No: 91

Lot: 91

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - The Hole in the Wall-18x12,5 cm: Size of cardboard on which is pasted; 11,5x7 cm: Painting area Mixed technique on paper Signed

Lot No: 92

Lot: 92

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Don't burn the fire you can't put out"-18x12,5 cm: Size of cardboard on which is pasted; 12,5x9 cm: Painting area Watercolor on paper Signed

Lot No: 93

Lot: 93

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Folk tale-18x12,5 cm: Size of cardboard on which is pasted; 9x10 cm: Painting area Watercolor on paper Signed

Lot No: 94

Lot: 94

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Reincarnation"-18x12,5 cm: Size of cardboard on which is pasted; 7,5x14,5 cm: Painting area Watercolor on paper Signed

Lot No: 95

Lot: 95

ANONYMOUS - "[Portrait]"-82x62 cm. Framed.

Lot No: 96

Lot: 96

UNIDENTIFIED SIGNATURE "2000"-Framed size: 59x80 cm, painting area: 38x56 cm.

Lot No: 97

Lot: 97

Signed "VORALİ" - Portrait-Framed size: 33x28 cm, painting area: 24x19 cm.

Lot No: 98

Lot: 98

FROM THE BEDRI RAHMI SCHOOL-32x25 cm.

Lot No: 99

Lot: 99

İBRAHİM ÇİFTÇİOĞLU (1952-) - "EA" 2005-Framed size: 90x78 cm, painting area: 50x40 cm. "EA"

Lot No: 100

Lot: 100

İBRAHİM ÇİFTÇİOĞLU (1952-) - "EA" 2005-Framed size: 90x78 cm, painting area: 50x40 cm. "EA"

Lot No: 101

Lot: 101

ILHAN BERK (1918-2008) - 1980 "Pattern"-Framed, 32x35 cm.

Lot No: 102

Lot: 102

SIGNATURE IS NOT IDENTIFIED - "Untitled"-58x58 cm, framed

Lot No: 103

Lot: 103

SIGNATURE IS NOT IDENTIFIED - "Untitled"-Frame size: 55x44 cm; painting area: 32x23 cm.

Lot No: 104

Lot: 104

(?) İÇSEL - 1948 "Untitled"-72x55 cm, in its brown wooden frame

Lot No: 105

Lot: 105

SIGNED "NİHAT" - "The Bosphorus from Eyup"-70x58 cm, framed

Lot No: 106

Lot: 106

BILLY WILDER (1906-?) - "Untitled"-70x60 cm, framed.

Lot No: 107

Lot: 107

SIGNATURE IS NOT IDENTIFIED - 1989 "Marina"-45x58 cm, framed.

Lot No: 108

Lot: 108

ZEKİ FINDIKOĞLU - 1978 "Summer Haze Seat" -70x58 cm, framed

Lot No: 109

Lot: 109

YAVUZ SEÇKİN - 1980 "Istanbul"-65x50 cm, watercolor on paper, wooden framed, signed.

Lot No: 110

Lot: 110

ANONYMOUS - "[Immigration]"-63x63 cm, framed

Lot No: 111

Lot: 111

MAURICE QUESTIN DE LA TOUR (1704-1788) - 1984 Imprint "Autoportrait" -52x43 cm, museum imprint, framed, slightly stained

Lot No: 112

Lot: 112

A. ZEYNEP (?) - "Landscape"-37x47 cm, çerçeveli

Lot No: 113

Lot: 113

SIGNED "F. M." - 1953 "The Family around the Table"-36x46 cm, framed

Lot No: 114

Lot: 114

SIGNED "FERGUN" - 1985 "Untitled"-41x51 cm, signed, framed

Lot No: 115

Lot: 115

RAY MONTMARTE - 1954 "Portrait"-43x35 cm

Lot No: 116

Lot: 116

SIGNED "SİBEL" - "Ballerina"-57x50 cm, framed and signed

Lot No: 117

Lot: 117

İHSAN CEMAL KARABURÇAK (1898-1970) - LIMITED PRINT ON TILE BY ECZACIBASI / Evening at the Seaside-47x59 cm (Size of the original work 47x66 cm) - The work which is preserved in Eczacibasi Collection, produced in a limited run of 10000 copies at the VitrA Tiles Facilities for Eczacibasi Holding.

Lot No: 118

Lot: 118

A. ERYÜREKLİ 1990 "Nameless"-48x39 cm

Lot No: 119

Lot: 119

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "City Lights"-18x14 cm Watercolor on paper Signed

Lot No: 120

Lot: 120

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1979 "Untitled"-22x18 cm Oil on Paper Signed

Lot No: 121

Lot: 121

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-Miniature size: 13x9 / 7x5 cm - Signed

Lot No: 122

Lot: 122

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Untitled"-12x15 cm

Lot No: 123

Lot: 123

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled" Double-sided, two paintings-25x17 cm, signed

Lot No: 124

Lot: 124

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-17x11 cm

Lot No: 125

Lot: 125

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Sweat of Brow"-15x9 cm

Lot No: 126

Lot: 126

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "City"-15x9 cm

Lot No: 127

Lot: 127

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-10x6 cm, mounted on paper

Lot No: 128

Lot: 128

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscape"-11x20 cm

Lot No: 129

Lot: 129

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscape"-11,5x23,5 cm, signed, mixed on a calendar paper.

Lot No: 130

Lot: 130

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1969 "Pattern"-14x10 cm

Lot No: 131

Lot: 131

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-10x6 cm, mounted on paper, signed

Lot No: 132

Lot: 132

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Wave"-15,5x15,5 cm, mounted on the page of a blue "annual trade report", signed and dated.

Lot No: 133

Lot: 133

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1968 "Figure - Portrait"-23x17 cm

Lot No: 134

Lot: 134

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscape"-12,5x17,5 cm, crayons and watercolor on paper

Lot No: 135

Lot: 135

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Shore"-12,5x17,5 cm

Lot No: 136

Lot: 136

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscape"-15,5x17 cm

Lot No: 137

Lot: 137

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1979 "Landscape"-15,5x15 cm

Lot No: 138

Lot: 138

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "The Lost Hopes"-21,5x14,5 cm

Lot No: 139

Lot: 139

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1964 "Pattern"-23x16 cm

Lot No: 140

Lot: 140

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1965 "Pattern - Landscapes"-17x25 cm

Lot No: 141

Lot: 141

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscapes"-12,5x17,5 cm

Lot No: 142

Lot: 142

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Landscapes"-25x17,5 cm

Lot No: 143

Lot: 143

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1979 "Landscapes"-20x20 cm

Lot No: 144

Lot: 144

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Naturmort"-24x17 cm

Lot No: 145

Lot: 145

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscapes"-15,5x15,5 cm

Lot No: 146

Lot: 146

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-Miniature size: 8x6 cm, mounted on paper

Lot No: 147

Lot: 147

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-Miniature size: 5,5x4 cm, mounted on paper

Lot No: 148

Lot: 148

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-25x17,5 cm

Lot No: 149

Lot: 149

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "On the Desk"-17x14 cm

Lot No: 150

Lot: 150

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-Miniature size: 5x3,5 cm, mounted on paper

Lot No: 151

Lot: 151

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Istanbul"-13,5x11 cm, folded on right upper side

Lot No: 152

Lot: 152

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Inferno"-7x11 cm

Lot No: 153

Lot: 153

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-6x11 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 154

Lot: 154

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Foggy Midnight"-6,5x8 cm, watercolor and oil on paper, mixed technique

Lot No: 155

Lot: 155

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Light"-12x8 cm

Lot No: 156

Lot: 156

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "On the Waterfront"-25x17,5 cm, crayons and watercolor mixed on paper

Lot No: 157

Lot: 157

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Landscape"-21,5x7,5 cm, mixed technique on paper by watercolor and crayons, unsigned

Lot No: 158

Lot: 158

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Trampoline"-10x14,5 cm

Lot No: 159

Lot: 159

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Abstract"-19x28 cm

Lot No: 160

Lot: 160

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Turtle Between the Colours"-28x19 cm

Lot No: 161

Lot: 161

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-17,5x25 cm

Lot No: 162

Lot: 162

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Landscape - Faces on the Rocks"-28x20 cm

Lot No: 163

Lot: 163

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-17,5x12,5 cm

Lot No: 164

Lot: 164

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - Calligraphy 1979 "Ya Ali"-14x15,5 cm, mounted on paper

Lot No: 165

Lot: 165

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Landscape"-6,5x16 cm

Lot No: 166

Lot: 166

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1978 "Untitled"-Cardboard size: 9,5x14 cm, painting area: 7x8 cm, signed, dated; acrylic, watercolor and oil on paper.

Lot No: 167

Lot: 167

SIGNED BY "F.Y." - "Untitled"-7x23,5 cm, watercolor on paper

Lot No: 168

Lot: 168

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Houses - Landscape"-10x20 cm

Lot No: 169

Lot: 169

FROM THE COLLECTION OF "IŞIK", FEMALE PAINTRESS - "Sailing Boats"-6x10 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 170

Lot: 170

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Naturmort"-17,5x25 cm

Lot No: 171

Lot: 171

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Abstract Naturmort"-21x23 cm

Lot No: 172

Lot: 172

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Abstract"-21x29 cm

Lot No: 173

Lot: 173

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Untitled"-24x21 cm

Lot No: 174

Lot: 174

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - 1980 "Hamdım Piştim Yandım - Phoenix"-28x21 cm

Lot No: 175

Lot: 175

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-15x11 cm

Lot No: 176

Lot: 176

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-19x16 cm

Lot No: 177

Lot: 177

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-15x24 cm

Lot No: 178

Lot: 178

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Untitled"-28x21 cm

Lot No: 179

Lot: 179

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-6x10 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 180

Lot: 180

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-6x10 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 181

Lot: 181

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-6x10 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 182

Lot: 182

SIGNED BY "IŞIK" - PAINTRESS FROM ACADEMY - "Landscape"-6x10 cm, watercolor on business card with "Hürriyet" newspaper letterhead

Lot No: 183

Lot: 183

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]"-Set including five pieces. Oil on canvas. One piece size: 80 x 18 cm, set size: 90 x 80 cm. A very decorative set from the Mustecaplioglu's "Caftans" set. Used original stamps as well on canvas. He was born in 1963 in Izmir and his life was shaped in Scutari (Üsküdar) in Istanbul. He was influenced by Abdülbaki Gölpınarlı, Ergin İnan, Mevlana, Aziz Nesin, Ziya Mısırlı, Mustafa Düzgünman et alli in his art life.

Lot No: 184

Lot: 184

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2013-Oil on canvas. 120 x 80 cm. A very decorative painting from the Mustecaplioglu's "Caftans". Used original stamps as well on canvas. He was born in 1963 in Izmir and his life was shaped in Scutari (Üsküdar) in Istanbul. He was influenced by Abdülbaki Gölpınarlı, Ergin İnan, Mevlana, Aziz Nesin, Ziya Mısırlı, Mustafa Düzgünman et alli in his art life.

Lot No: 185

Lot: 185

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2012-Oil on canvas. 100 x 100 cm. A very decorative painting from the Mustecaplioglu's "Caftans". Used original stamps as well on canvas. He was born in 1963 in Izmir and his life was shaped in Scutari (Üsküdar) in Istanbul. He was influenced by Abdülbaki Gölpınarlı, Ergin İnan, Mevlana, Aziz Nesin, Ziya Mısırlı, Mustafa Düzgünman et alli in his art life.

Lot No: 186

Lot: 186

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[SUFIS AND TOMBSTONES]" 1992-Oil on acrylic, frame size: 98 x 78 cm, painting area: 77 x 57 cm.

Lot No: 187

Lot: 187

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[TOMBSTONES]" 1992-Oil on acrylic, frame size: 110 x 78 cm, painting area: 98 x 64 cm.

Lot No: 188

Lot: 188

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FISH] 2010-83 x 63 cm.

Lot No: 189

Lot: 189

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]"-70 x 70 cm.

Lot No: 190

Lot: 190

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]"-160 x 120 cm.

Lot No: 191

Lot: 191

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FISH]" 2010-78 x 63 cm.

Lot No: 192

Lot: 192

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[CAFTAN - EYE - MANUSCRIPTS VE AUTOPORTRAIT]" 2013-175 x 65 cm.

Lot No: 193

Lot: 193

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2010-35 x 35 cm.

Lot No: 194

Lot: 194

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2011-35 x 35 cm.

Lot No: 195

Lot: 195

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2012-35 x 35 cm.

Lot No: 196

Lot: 196

GÜZHAN MÜSTECAPLIOĞLU (1963-) - "[FROM THE CAFTANS]" 2013-35 x 35 cm.

Lot No: 197

Lot: 197

SALİH - "MARAKAZ SHIP" ca. 1930S-Painted area: 78 x 54 cm; frame size: 84 x 59 cm.

Lot No: 198

Lot: 198

İSMAİL ÖZEREN (1932-) - "HAYDARPASA 1996"-70 x 60 cm. In its green frame. Oil on canvas.

Lot No: 199

Lot: 199

MUSTAFA ASLIER (1926-2015) - "3,5", 26/50-Frame size: 44 x 35 cm, printed area: 27 x 17 cm.

Lot No: 200

Lot: 200

HOCA ALİ RIZA (1858-1930) - "Lithograph"-Framed size: 40 x 50 vm. Ali Riza Bey was known as “hodja” among his friends, his students and his colleagues. Hodja Ali Riza has been the chief painter in the Harbiye Printing House as well as being an art educator in Harbiye Mektebi, an important step in the development of Turkish painting art. Because of various reasons, there is no opportunity for the students to work in the model at that time; he reproduced charcoal drawings created by nature views, country houses, fountains and animal figures by converting them into lithographic works and created albums. These albums he has created have been distributed to his students who worked on those and have influenced the students' artistic understanding and practices. This situation is essential in terms of showing the importance of Hodja Ali Rıza in art education and the point he reached in the printing picture during his period. (Source: Hodja Ali Riza’s Artistic Perspective and the Importance of his Lithographic Artworks in Art Education, CİDDİ).

Lot No: 201

Lot: 201

ZAHİR GÜVEMLİ (1913-2004) - "Tree" 1986-In its period wooden frame. 60 x 45 cm.

Lot No: 202

Lot: 202

NURI BATTAL (1962-) - Signed Print 2013-Print on paper. 73 x 54 cm. Framed. Signed by Artist.

Lot No: 203

Lot: 203

ERGİN İNAN (1943-) - "Epitaph" 2015 - 59/99-78 x 65 cm. Framed.

Lot No: 204

Lot: 204

KORTAN TÜMERDEM - "Somewhere in Anatolia"-KORTAN TÜMERDEM, (Turkish photographer and director), [ca. 1970s]. Original fine photograph. 55x54 cm. Framed. Signed by Kortan Tümerdem and Emine Öztekin on verso, on a card. Cynotype print.